[目的/意义]近年来,国内高校和研究机构纷纷使用国际图像互操作框架来呈现古代书画,但基于题跋标注的知识发现仍为数不多。通过题跋分析书画的传承轨迹,既可纵览中国书画史,也可以深入到个案,对于推进传统研究有相当的意义。[方法/过程]因此论文基于已构建的沉浸式交互平台IIIF-IIP,提出书画记忆链模型,结合已标注的题跋、印章、人物和关联数据信息,可视化地呈现书画中的隐含人物传承关系,就网络中的重要人物、网络的同配性以及题跋内容上开展分析。[结果/结论]论文以李白的《上阳台帖》和韩干的《照夜白图》为具体案例,构建书画记忆链网络,加以史料佐证,说明该模型在书画研究中的有效性和可应用性,不仅为下一步扩大数据规模的历时书画史研究奠定基础,而且为相关领域研究提供新的线索和思路。
Abstract
[Objectives/Significances] Recently, Chinese colleges and research institutes have begun to use international image interactive framework to present Chinese calligraphies and paintings. But few knowledge discoveries are based on the historic inscriptions and colophons of Chinese calligraphies and paintings, also known as Tibas. Analyzing the historical trace of continuous inheritance via Tibas, we can not only browse China's history of calligraphies and paintings, but also delve into the individual cases, which are of significance of promotion of traditional research. [Methodology/Procedures] This paper proposes a memory chain model of calligraphies and paintings with the combination of IIIF-Immersing Interaction Platform (IIIF-IIP). We leverage the Tibas' annotations, seals, and historic figures, as well as external linked data repositories, in order to visualize the latent associations of calligraphies and paintings and analyze the important figures, network assortativity and contents of Tibas. [Results/Conclusions] The experimental results show the effectiveness and applicability of the proposed models, which can not only lay a foundation of the further research into Chinese calligraphies and paintings with more data, but also provide new clues and views in the related studies.
关键词
IIIF-IIP /
古代书画 /
书画记忆链 /
人物关系 /
知识发现 /
数字人文
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Key words
IIIF-IIP /
historic calligraphy and painting /
memory chains of calligraphy and painting /
personal relations /
knowledge discovery /
digital humanities
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